William (W.K.) Kurelek - A Bumper Harvest

A Bumper Harvest by William (W.K.) Kurelek
A Bumper Harvest - William (W.K.) Kurelek
Mixed Media
48 x 36 in
Sold

Dated 74 and initialled (lower right)
Provenance:
Private Collection, Calgary - Isaacs Gallery, Toronto
Illustrated in "Kurelek's Country", p. 102

"A Bumper Harvest"
(on verso of painting)

"Fishing and Mining are my two big gaps in Canadian work experience. The subject of this picture however is my element for although my father used to say I was hopeless at farming I did, while working for him, catch the joy of a good year for him. We farmed a section of land, not several, as this fellow obviously has. Mind you, my father wouldn't openly express happiness over a bumper harvest. Farmers are notorious grumblers and pessimists - a kind of defence mechanism I suppose. So I had to read between the lines so to speak, and detect low-key enthusiasm and satisfaction in his mannerisms and behaviour. A big success in farming is more like chancing on a good run of fish, I suppose, rather than the exultation of a strike in a mineral or oil. In farming you have your territorial limit and put in preparatory work and usually get at least something. The weather is usually the biggest gamble factor - then the price and the availability of market."

 

 

 

 

 

Illustrated in: "Kurelek's Canada", p. 102 (illustration), p.103 (text below)

"When I helped my father harvest wheat on our dairy farm in Manitoba, we did not have new- fangled combines. They were on the market but people were still recovering from the Depression. There was little money for modern equipment. Besides, we only harvested one section (one square mile or 640 acres) while the Saskatchewan farmer in the painting obviously has several sections. We used a binder which cuts the grain, binds it into sheaves, carries them, and then drops them into piles in rows suitable for stooking. Stooking, a lovely word, is a way of piling the sheaves so that the grain will dry for threshing. If it is not dry, the kernels may mould or sprout and much will be lost. In the painting I have shown a patch of burnt stubble, but the burning is done well after the harvest. It nourishes the soil in preparation for another season and hopes of another bumper harvest."

Year: 
1974
Gallery: 
Loch Gallery, Winnipeg
Subject: 
Figure in Landscape
Type: 
Painting

 

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