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Ivan Eyre's Drawings, Paintings, and Small Sculpture
May 7 to August 14, 2011
| | |  | Ivan Eyre is widely acknowledged as a Canadian artist of major
accomplishment whose works possess an urgency of vision and a
technical mastery rarely equalled in contemporary art. Eyre's
achievements in the figurative and landscape movements of our time
have been noted in many insightful commentaries, but the relationship
between his sculpture and graphic work has been less thoroughly
considered. Works by Ivan Eyre will be featured in the McMichael Canadian Art
Collection's new Sculpture Garden, providing an opportunity to examine
a rarely seen body of work by a Canadian master. The McMichael bronzes
constitute a summary of Eyre's figurative preoccupations for the last
four decades. These monumental works have had a long gestation.
Hundreds of drawings dating from the early sixties — when the earliest
expression of Eyre's vision was first formulated — reveal the dynamic
and complementary relationship between Eyre's graphic work and
sculpture, a relationship contributing significantly to our
appreciation of the large bronzes. The mythological paintings and the large landscapes for which Eyre is
perhaps best known, are both informed by the formal investigations
explored in these early drawings and sculpture. Like his drawings,
Eyre's sculpture is a complex synthesis of many elements. Western and non-Western influences have been absorbed and reformulated to suit the dictates of a playful, contradictory, and paradoxical mind.
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The ambiguities of Eyre's work defy conventional notions of meaning. Logic is replaced by a poetic sense of connectivity between visual
elements, which are set within an expanded notion of "landscape", co-existent, with a stated concern for "human attitudes, perspectives
and realities." This expanded notion of landscape, that is, of the figure as a landscape and the landscape as a figure, is given repeated expression in his drawings over the course of Eyre's career. These repetitions form the lexicon of imagery that have made Eyre's vision so persuasively and powerfully original. The evolution of Eyre's thought is addressed in a selection of drawings, early paintings, and sculpture chosen to illuminate some of
the complexities of this major artist's challenging and paradoxical vision. Tom Lovatt
Exhibition Curator
http://www.mcmichael.com/exhibitions/ivaneyre/current.cfm
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